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	<title>poesia italiana in altra lingua &#8211; NAZIONE INDIANA</title>
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		<title>ALCUNE STANZE (SOME ROOMS) &#8211; II</title>
		<link>https://www.nazioneindiana.com/2017/01/04/alcune-stanze-some-rooms-ii/</link>
					<comments>https://www.nazioneindiana.com/2017/01/04/alcune-stanze-some-rooms-ii/#comments</comments>
		
		<dc:creator><![CDATA[gherardo bortolotti]]></dc:creator>
		<pubDate>Wed, 04 Jan 2017 09:30:07 +0000</pubDate>
				<category><![CDATA[dispatrio]]></category>
		<category><![CDATA[indiani]]></category>
		<category><![CDATA[poesia in traduzione]]></category>
		<category><![CDATA[poesia italiana contemporanea]]></category>
		<category><![CDATA[poesia italiana in altra lingua]]></category>
		<category><![CDATA[Vanni Santoni]]></category>
		<guid isPermaLink="false">https://www.nazioneindiana.com/?p=66415</guid>

					<description><![CDATA[da 999 rooms: Rooms of the night / Vanni Santoni &#160; Room 173 The future starts today. The future is fresh! The future will be repeated, broadcasted &#38; distributed. The future will be obsolete. The future is overrated. The future ain’t what it used to be. The room of the future. The future? Just a [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img loading="lazy" class="wp-image-66417 alignleft" src="https://www.nazioneindiana.com/wp-content/2017/01/square-iteration.jpg" alt="square-iteration" width="420" height="297" srcset="https://www.nazioneindiana.com/wp-content/2017/01/square-iteration.jpg 1024w, https://www.nazioneindiana.com/wp-content/2017/01/square-iteration-300x212.jpg 300w, https://www.nazioneindiana.com/wp-content/2017/01/square-iteration-768x543.jpg 768w, https://www.nazioneindiana.com/wp-content/2017/01/square-iteration-100x70.jpg 100w" sizes="(max-width: 420px) 100vw, 420px" />da <em><strong>999 rooms: Rooms of the night / Vanni Santoni</strong></em></p>
<p>&nbsp;</p>
<p><strong>Room 173</strong></p>
<p>The future starts today.<br />
The future is fresh!<br />
The future will be repeated,<br />
broadcasted &amp; distributed.<br />
The future will be obsolete.<br />
The future is overrated.<br />
The future ain’t what it used to be.<br />
The room of the future.<br />
The future? Just a season.<br />
The future is here and now.<br />
Oh please, always talking about the future…<br />
The future is a chest of broken mirrors,<br />
a boot stomping a human face, again and again.</p>
<p><strong>Room 174</strong></p>
<p>in the interminable boredom of this sandbox</p>
<p><strong>Room 175</strong></p>
<p>They say Kardashev III civilisations,<br />
who can harness whole galaxy energy<br />
may well live inside supermassive black holes:<br />
sounds legit, demigodlike, arses-hiding;<br />
me, I hang with children and witches all day<br />
avec des enfants, mit Hexen I do dance<br />
and the red plain gives no shelter, not even<br />
under red rocks, no shadow’s like full shadow<br />
says the wise, and the star makes a fool of me<br />
(a carrion is for ants &amp; for the sunbeams)<br />
我 情不自禁 地 笑 个 不停.</p>
<p><strong>Room 176</strong></p>
<p>the twirliest vessels got stuck<br />
(try with a hymn, the docks laugh):<br />
a flotsam of stimulants.<br />
coffee vigil, unwanted;<br />
dopaminergic plateaux<br />
of coke making creation<br />
im-possible – just tending:<br />
under-the-counter plegines,<br />
a thrill &amp; a shame being not<br />
aritmetical enough;<br />
speeds harsh honesty rustwhite<br />
blade in nights slow of headaches<br />
and flushes of aspirin,<br />
the room is a bathroom, hot<br />
showers may melt power back;<br />
hours staring nude pictures<br />
in series with no effect,<br />
how come did i buy that print<br />
(reminder: get matcha tea)<br />
a god with a coyote head</p>
<p><strong>Room 177</strong></p>
<p>Quite alarming, says the detective.<br />
Heaps of symbolic objects<br />
like rubbish sorted by scavengers<br />
mounds of black bishops &amp; queens<br />
of huge dice and capitals and horns<br />
tin cups, swords with no edge, staves,<br />
a clearing where the dishlarge coins were;<br />
black sacks of foul smelling clubs<br />
hairy as flies, ropy hearts, shineless<br />
diamonds, spades scattered<br />
on the ridden sand, where the sun beats;<br />
and towards the sea a pile<br />
of huge menorah, like wavebreakers.<br />
There the girl, the explorer,<br />
walks by: looks like the beach of our prime,<br />
yet if you were here you’d be<br />
your body retrieved by fishermen.<br />
You’d be that, in the damp dawn.</p>
<p><strong>Room 178</strong></p>
<p>o troops of dread, wrath hounds<br />
leaving my fair city<br />
with a hanged man dangling<br />
high from each lamp-post, o<br />
most sad boulevard show!<br />
yet nobody will see<br />
the man flogged, crucified,<br />
still, in purple and blue,<br />
sole company a bed rack<br />
in a locked room somewhere</p>
<p>a woman is washing<br />
ash hair with a white<br />
block of soap, one son lost<br />
one son hidden, she sings<br />
and her madness (she fries<br />
thorns in a pan, at night)<br />
clears a spring still all ice<br />
calling an april of hemlock &amp; fires</p>
<p><em>The hours of folly are measur’d by the clock,</em><br />
<em> but of wisdom: no clock can measure.</em></p>
<p><strong>Room 179</strong></p>
<p>I am son of the earth and of the starr–oof<br />
(a punch)<br />
Priests, patrons, you are wrong, I do not understand your law–ouch au argh<br />
(a punch, another; a kick on the ribs)<br />
Nothing is vanit–<br />
(a cane hit on the back of the head. A squall of kicks)</p>
<p><strong>Room 180</strong></p>
<p>THEN BEAUTY CAME</p>
<p>then Beauty came,<br />
or was it Kindness?<br />
It doesn’t really matter:<br />
what matters, is that the boys<br />
(hurry up, boys! an’hush!)<br />
got her and knocked her good<br />
and threw her in a trash compactor<br />
which got stuck.</p>
<p>Let us consider now where the great souls are.</p>
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